One export,
perfectly organized.
Bind the logomark, the logotype and the full logo to their artboards. Anchr Ship generates the black and white versions, exports every artboard for web and print, adds favicons, app icons and social images when you ask, and files it all in a numbered folder tree.
What comes out.
The files a client, a printer and a developer will ask for, without opening Export for Screens nine times.
Variants
For each of the three logos, a black and a white flat version, added to the document as new artboards named after their source, like Logomark-black and Logomark-white. Your original colour artboards stay as they are.
Web and print
SVG optimised for the web with text outlined, PNG at 2x with a transparent background, and PDF. For the printer, one CMYK PDF/X-1a per artboard, to the PDF/X-1a:2001 standard, with the output intent of your Illustrator install.
Favicons and app icons
Built from the logomark: favicon.svg, a favicon.ico holding 16, 32 and 48 px, PNG favicons at the same sizes, a 180 px apple-touch-icon, Android icons at 192 and 512 px with a site.webmanifest, a 1024 px App Store icon and a 512 px Play Store icon.
Social images
A 400 x 400 profile picture, a 1200 x 630 share image, a 1500 x 500 header and a 1584 x 396 LinkedIn banner, with the full-colour, black or white logo on the brand background colour.
Folder tree
01 Primary Lockup, 02 Logomark and 03 Logotype, each split into 01 Digital and 02 Print, then 01 Full-Colour, 02 Black and 03 White, with raster files in an 01 Images subfolder. 04 Icons and 05 Social sit at the root when you ask for them.
Names
Lower case, safe characters, taken from the artboard names, like logomark-black.svg. Two artboards that would share a name get a numeric suffix, so neither replaces the other.
No Illustrator at hand? Try the free logo resizer: favicons, app icons and social sizes in one ZIP, in your browser.
Run it again without fear.
Anchr signs every artboard it generates. Retouch the white version by hand, run Ship again, and it keeps your retouch, regenerates what changed and skips what did not. One button removes every generated variant when you want a clean file.
- Sources
- Three artboards: logomark, logotype, full logo. The icons are built from the logomark.
- Variants
- Black and white, flat colour, as new artboards in the same document.
- Formats
- SVG (web optimised, text outlined), PNG at 2x with transparency, PDF, and a CMYK PDF/X-1a for print.
- Icons and social
- Favicons, app and store icons, and four social images, each rendered at its exact pixel size. Browser icons stay transparent; store icons sit on the background colour you choose.
- Output
- A numbered folder tree in the folder you pick, sorted by logo, by digital and print, then by colour. Lower case names. A new run into the same folder replaces the previous one.
- Safety
- Retouched variants preserved, unchanged ones skipped, generated ones removable in one click.
- Not included
- Greyscale and brand-colour monochrome variants, and Pantone files. The tree keeps Pantone folders for the spot colour files you prepare yourself.
- Requires
- Adobe Illustrator 2023 or newer, macOS 12 or Windows 10 and later.
How it works.
Bind the artboards
Point the logomark, logotype and full logo slots at the artboards that hold them.
Choose the formats
SVG and PNG are on by default; add PDF when a printer is in the loop. Ask for the icons and the social images when the client needs them.
Ship
Anchr generates the black and white artboards, exports every file and sorts it into a numbered folder tree inside the folder you chose.
Deliver
Attach the folder, or publish the brand to its portal so the client downloads the exact file they need, in the format they need, from one link.
Questions designers ask.
SVG for the web and for anyone working in vector. PNG with transparency for documents, slides and social media. PDF for print vendors, and a print-ready PDF/X-1a when the printer asks for one. A black and a white version of each logo for single-colour uses: stamps, embroidery, engraving, watermarks. Favicons and app icons for the developer. Ship produces all of these; Pantone files are the one part left to you.
Files with the same name, yes, on purpose: export again into the same folder and the new files replace the ones from the previous run. Within one run, two artboards that would share a name get a numeric suffix instead. Inside Illustrator, a variant you retouched by hand is recognised by its signature and left alone.
Into a numbered folder tree inside the folder you choose: 01 Primary Lockup, 02 Logomark and 03 Logotype, each split into 01 Digital and 02 Print, then 01 Full-Colour, 02 Black and 03 White, with raster files in an 01 Images subfolder. 04 Icons and 05 Social sit at the root when you ask for them.
Yes, from the logomark: favicon.svg, a favicon.ico with 16, 32 and 48 px inside, PNG favicons at 16, 32 and 48 px, a 180 px apple-touch-icon, Android icons at 192 and 512 px with a site.webmanifest, a 1024 px App Store icon and a 512 px Play Store icon. Each is rendered at its exact pixel size.
One CMYK PDF per artboard, to the PDF/X-1a:2001 standard, using the output intent of your Illustrator install. It is the kind of file a printer asks for when they say print-ready. Pantone versions are not generated; the tree has folders for them if you prepare them by hand.
It uses the variant artboards Ship adds to your document: Anchr Portal picks them up by their names, and shows the white version on a dark background. When you publish, Portal exports its own files from those artboards, so the downloads on the page always match the document.
What to export, and why.
- Export all logo formats in Illustrator: by hand or in one click
The logo formats a client actually needs, a naming pattern that survives their folders, and three ways to export them from Illustrator. · 8 min
- Export favicon, app icons and .ico from Illustrator: 2026 sizes
Every favicon and app icon size a site needs in 2026, exported from Illustrator, the .ico Illustrator cannot write, and the tags for the developer. · 9 min
- Logo file formats: which file type to use for web, print and video
Vector or raster, transparent or not, RGB or CMYK: which logo file format to use for each job, and which files a client should and should not receive. · 9 min
- Logo variations: the versions a brand needs and where each is used
What each logo variation is, where it goes, how many a small client needs compared with a large one, and how to name and document them in the guidelines. · 10 min
- Logo size in pixels for websites, social media and print (2026)
The logo sizes a website, a social profile, an email signature and a printer ask for, and how to set up the Illustrator artboards so exports come out right. · 9 min
- How to deliver a logo to a client: files, formats and folders
Which files, which variants, how to name and organise them, and how to send a logo so it does not get lost or misused. · 8 min
Everything you make here goes on the brand portal your client actually opens.
Colours, type, logo files and usage rules, published from Illustrator to one hosted page. No PDF, no attachment, always the current version.
Export once. Deliver a link.
Every format, named consistently, delivered as a page instead of a folder of files.
Start your brand